Oskar ist neun, er ist Erfinder, Pazifist, Schmuckdesigner und Tamburinspieler, und er hat eine Menge Fragen, auf die er dringend eine Antwort braucht. Wieso gab es den Anschlag vom 11. September? Warum musste sein Vater eines der Opfer sein? Oskar läuft durch New York, immer auf der Suche nach Antworten und nach etwas, dass ihn von den vielen Gedanken in seinem Kopf ablenkt. Safran Foer raubt mit seinem Tempo, seiner Sprachgewalt und seinem halsbrecherischen Witz dem Hörer den Atem. Und er lässt einen verstehen, dass manchmal nur Phantasie hilft, den Irrsinn der Welt zu ertragen

Jonathan Safran Foer schafft es erneut, uns ein komplexes Thema wie die Klimakrise so nahe zu bringen wie niemand sonst. Und das Beste: Einen Lösungsansatz liefert er gleich mit. Mit seinem Bestseller "Tiere essen" hat Jonathan Safran Foer weltweit Furore gemacht: Viele seiner Leser wurden nach der Lektüre Vegetarier oder haben zumindest ihre Ernährung überdacht. Nun nimmt Foer sich des größten Themas unserer Zeit an: dem Klimawandel. Der Klimawandel ist zu abstrakt, deshalb lässt er uns kalt. Foer erinnert an die Kraft und Notwendigkeit gemeinsamen Handelns und führt dazu anschaulich viele gelungene Beispiele an, die uns als Ansporn dienen sollen. Wir können die Welt nicht retten, ohne einem der größten CO2- und Methangas-Produzenten zu Leibe zu rücken, der Massentierhaltung. Foer zeigt einen Lösungsansatz auf, der niemandem viel abverlangt, aber extrem wirkungsvoll ist: tierische Produkte nur einmal täglich zur Hauptmahlzeit. Foer nähert sich diesem wichtigen Thema eloquent, überzeugend, sehr persönlich und mit wachem Blick und großem Herz für die menschliche Unzulänglichkeit. Und das Beste: Seinen Lösungsansatz können Sie gleich in die Tat umsetzen

"Imagine a novel as verbally cunning as A Clockwork Orange , as harrowing as The Painted Bird , as exuberant and twee as Candide , and you have Everything Is Illuminated . . . Read it, and you'll feel altered, chastened — seared in the fire of something new." — Washington Post With only a yellowing photograph in hand, a young man — also named Jonathan Safran Foer — sets out to find the woman who might or might not have saved his grandfather from the Nazis. Accompanied by an old man haunted by memories of the war, an amorous dog named Sammy Davis, Junior, Junior, and the unforgettable Alex, a young Ukrainian translator who speaks in a sublimely butchered English, Jonathan is led on a quixotic journey over a devastated landscape and into an unexpected past. As their adventure unfolds, Jonathan imagines the history of his grandfather's village, conjuring a magical fable of startling symmetries that unite generations across time. As his search moves back in time, the fantastical history moves forward, until reality collides with fiction in a heart-stopping scene of extraordinary power. "A rambunctious tour de force of inventive and intelligent storytelling . . . Foer can place his reader's hand on the heart of human experience, the transcendent beauty of human connections. Read, you can feel the life beating." — Philadelphia Inquirer

Some people reject the fact, overwhelmingly supported by scientists, that our planet is warming because of human activity. But do those of us who accept the reality of human-caused climate change truly believe it? If we did, surely we would be roused to act on what we know. Will future generations distinguish between those who didn't believe in the science of global warming and those who said they accepted the science but failed to change their lives in response? In We Are the Weather , Jonathan Safran Foer explores the central global dilemma of our time in a surprising, deeply personal, and urgent new way. The task of saving the planet will involve a great reckoning with ourselves—with our all-too-human reluctance to sacrifice immediate comfort for the sake of the future. We have, he reveals, turned our planet into a farm for growing animal products, and the consequences are catastrophic. Only collective action will save our home and way of life. And it all starts with what we eat—and don't eat—for breakfast

Instant New York Times Bestseller A New York Times Notable Book of 2016 A Time Magazine Top 10 Novel of 2016 A Times Literary Supplement Best Book of 2016 " Dazzling . . . A profound novel about the claims of identity, history, family, and the burdens of a broken world." —Maureen Corrigan, NPR' s " Fresh Air" In the book of Genesis, when God calls out, "Abraham!" before ordering him to sacrifice his son, Isaac, Abraham responds, "Here I am." Later, when Isaac calls out, "My father!" before asking him why there is no animal to slaughter, Abraham responds, "Here I am." How do we fulfill our conflicting duties as father, husband, and son; wife and mother; child and adult? Jew and American? How can we claim our own identities when our lives are linked so closely to others'? These are the questions at the heart of Jonathan Safran Foer's first novel in eleven years—a work of extraordinary scope and heartbreaking intimacy. Unfolding over four tumultuous weeks in present-day Washington, D.C., Here I Am is the story of a fracturing family in a moment of crisis. As Jacob and Julia Bloch and their three sons are forced to confront the distances between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a quickly escalating conflict in the Middle East. At stake is the meaning of home—and the fundamental question of how much aliveness one can bear. Showcasing the same high-energy inventiveness, hilarious irreverence, and emotional urgency that readers loved in his earlier work, Here I Am is Foer's most searching, hard-hitting, and grandly entertaining novel yet. It not only confirms Foer's stature as a dazzling literary talent but reveals a novelist who has fully come into his own as one of our most important writers

Jonathan Safran Foer emerged as one of the most original writers of his generation with his best-selling debut novel, Everything Is Illuminated. Now, with humor, tenderness, and awe, he confronts the traumas of our recent history. What he discovers is solace in that most human quality, imagination. Meet Oskar Schell, an inventor, Francophile, tambourine player, Shakespearean actor, jeweler, pacifist, correspondent with Stephen Hawking and Ringo Starr. He is nine years old. And he is on an urgent, secret search through the five boroughs of New York. His mission is to find the lock that fits a mysterious key belonging to his father, who died in the World Trade Center on 9/11. An inspired innocent, Oskar is alternately endearing, exasperating, and hilarious as he careens from Central Park to Coney Island to Harlem on his search. Along the way he is always dreaming up inventions to keep those he loves safe from harm. What about a birdseed shirt to let you fly away? What if you could actually hear everyone's heartbeat? His goal is hopeful, but the past speaks a loud warning in stories of those who've lost loved ones before. As Oskar roams New York, he encounters a motley assortment of humanity who are all survivors in their own way. He befriends a 103-year-old war reporter, a tour guide who never leaves the Empire State Building, and lovers enraptured or scorned. Ultimately, Oskar ends his journey where it began, at his father's grave. But now he is accompanied by the silent stranger who has been renting the spare room of his grandmother's apartment. They are there to dig up his father's empty coffin

Ein Jahr nach dem Tod seines Vaters beim Terroranschlag vom 11. September 2001 begibt sich ein elfjähriger, unter Asperger leidender Junge mit überentwickeltem Organisationstalent auf die Suche nach Zeichen, die ihm sein Vater hinterlassen haben mag. (Filmdienst)